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The Otherworldly and the Liminal: Art by Eric Fortune

Eric Fortune’s hauntingly beautiful, lyrical, photorealistic paintings, featuring statuesque humans or human-like mythical beings, convey a sense of movement, of epic vastness, and of illumination. The figures are often suspended in air, on the brink of falling, in motion, or reaching towards a source of light as towards some deeply powerful spiritual or inner discovery. They are always on some pinnacle; on the verge of redemption, destruction, crossing boundaries, or the threshold of immolating enlightenment.

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Short Film: “Embrio”

Embrio is an experimental short film made entirely by Jean-Sébastien Monzani (story, direction, film, and music), with acting by Stéphanie Schneider.

What draws me to Embrio is its quality of implicit horror, conveyed through the actor’s subtle, ever-changing expressions and the eerie, intense, atmospheric soundtrack. Sans a conventional narrative, Embrio explores the compulsions, fixations, obsessions, and psychological reactions of a young woman, and, though very well-composed, it also has a rawness, depicting naked sensations and emotions with all the vagueness and ambiguity of good psychological horror – all within a clean, bright, well-lit, nearly sterile environment. It draws us deeply, physically, into the experience of the woman, and gets under our skin.

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João Ruas

João Ruas is an amazing artist and illustrator based in São Paulo, Brazil. His work is gorgeous, delicate, with graceful, flowing lines (his rendering of hair is exquisite), soft surrealness, and a dreamy macabre quality; utterly recognizable as his own at a glance.

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