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Morgaine Faye’s Armory

The Armory Collection by jeweler Morgaine Faye features gauntlets, escutcheons, daggers, Lucerne hammers, morningstars, as well as an array of medieval weaponry and iconography including swifts and castle towers. The creation of these knightly pieces involves techniques traditionally used in armor- and weapons-making (forging, engraving, colored inlay, riveting, hidden kinetic components), forming a collection of charms, chains, pendants, and rings that can be layered and combined, giving them versatility as well as historical inspiration.

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Luminous Procuress: The Photography of Steven Arnold

Steven Arnold’s playful and electrifying tableaux vivants incorporated elements from silent film, the Golden Age of Hollywood, Surrealism, and mysticism. His assemblages are whimsical, sharply contrasting, and delightful for a lover of film history. They are musingly clever and dreamy, evident of a masterful and fantastic touch. These stark black-and-white images exude a quality of theatricality and wild expressiveness, a sense of mischievous quixoticism, which is so striking as well as charming. I wish there were more contemporary artists like the late Steven Arnold. His wonderful photographs put me in mind of a still version of the work of filmmaker Guy Maddin.

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FIVE IV by E. E. Cummings

if i have made,my lady,intricate
imperfect various things chiefly which wrong
your eyes(frailer than most deep dreams are frail)
songs less firm than your body’s whitest song
upon my mind—if i have failed to snare
the glance too shy—if through my singing slips
the very skilful strangeness of your smile
the keen primeval silence of your hair

—let the world say “his most wise music stole
nothing from death”—
you only will create
(who are so perfectly alive)my shame:
lady through whose profound and fragile lips
the sweet small clumsy feet of April came

into the ragged meadow of my soul.

— ee cummings

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Dolls by DD-Anne

The incredible ball-jointed dolls of DD-Anne express strength through fragility. Exquisite and ethereal, long-limbed, pure, they exude a special grace, an elegance touched with tragedy. There is an allegorical quality to them, illustrating poetic ideas in a three-dimensional and miniature form.

In her Alice in Underland series, she reconceptualizes the Queen of Hearts in a bold and marvelous way, taking inspiration from the Venus flytrap. The clothes and shoes for these little incarnations of the Victorian tale are sculptural and astonishing in their level of detail.

Meticulously crafted, DD-Anne’s dolls are delicate, beautiful, and thought-provoking. Her sewing skills and sense of design are formidable, resulting in creations that are wonderfully expressive and truly memorable. Lovely and visionary, these dolls embody an inner drama with splendor and clarity.

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The Bone Artist: Duy Ng

Duy Ng assembles incredible framed displays of skeletons of snakes, reptiles, and fish, including stingrays, pufferfish, seamoths, and also more fanciful specimens such as dinosaurs created from the bones of other creatures. Meticulously and elegantly arranged in their ornate vintage frames, lovingly articulated, these pieces are beautiful, pristine, and evocative, showing imagination as well as perfectionism.

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The Surrealist Bestiary of Marzena Ablewska-Lech

Marzena Ablewska-Lech, self-described as a Jungian reader and “collector of wounds,” is a London-based Polish artist. Intensely inspired by her dreams, her work often contains fantastical creatures, archetypes, ladies and beasts reminiscent of medieval and Renaissance art. Her works are like illuminated manuscripts with their small motifs, gold foil, and rich colors. The backgrounds sometimes give a sense of infinite convolution and entanglement; at the same time her depictions have a naive expressionism, and the curlicued, quaint forms which hearken back to illumination. Her style reminds me of a cross between old-school surrealists such as Remedio Varos or Leonara Carrington and medieval religious art – a strange and wonderful combination.

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Needle Art by Rima Day

Rima Day is a fabric artist with a background in fashion and costuming. Her Hidden Desires series is a fascinating and exquisite project featuring delicate red threadwork on gossamer white corsets and gloves – accoutrements of a historic past which suppressed feminine passions. The bright threads resemble blood vessels exposed across the diaphanousness of the material; the violence and visceral nature of this visual impression contrasting against the purity suggested by the sheer whiteness of the garments. The ragged red hem of a pair of gloves vividly, almost shockingly visions forth torn veins or nerves. Beautiful and evocative, as well as slightly disturbing, these anatomical/sartorial pieces are carefully constructed productions of an accomplished seamstress exploring concepts through embroidery and textiles.

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The Drowning Woman: Surreal Photography by Kalliope Amorphous

The soft, dreamy experimental photography of Kalliope Amorphous, often featuring self-portraits, is a visual poetics, sometimes black-and-white, sometimes saturated with beautiful, nostalgic color. Techniques of distortion, doubling, mirroring, blurring, and multiple exposure are taken to the extreme, but come together to produce wonderful and arresting images that explore themes of identity, mythology, consciousness, and memory. The loveliness juxtaposes against the alienation expressed through them, such that the subjects are sometimes barely recognizable as human. Fragmented, unfocused, ethereal, fragile, as these murky portraits are, they are also spiritually radiant. Ophelia drowning in her watery bed, twins, and witches are some of the archetypes rendered tangible-but-dreamlike in Kalliope’s unique way. Ominous, tender, suffused with mystery, these images are a perfect fusion of melancholy beauty and striking experimentalism. They are so evocative, strange, hazy, and brilliant.

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Vile Creatures: The Art of Lindsey Carr

Lindsey Carr is an artist/illustrator based in Glasgow whose creations I find delightful. Having admired her work for many years, I love the direction that she’s taken in recent years – richer, more substantial, with bold yet translucent color. The antique, luscious, yet delicate qualities of her paintings filled with flowers, animals, and mythical beings lure the eye and enchant and refresh. Taking inspiration from Rococo art, still lifes of the Old Masters, and the naturalist illustrations of Ernst Haeckel, the gloss and glimmer of Carr’s painted world is refined as well as vibrant. Her charming, surreal, historically influenced style is eminently suited for depictions of chimerical figures such as Alkonost.

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