I love David Altmejd’s eerie epoxy Hare (2022) sculpture. It has the quality of a sketch made three-dimensional, with its rather sickish green palette of acrylic paint and colored pencil. This bizarre creature, with its unsettlingly lifelike blue eye, is both evocative of the childhood appeal of rabbits, of incarnations of anthropomorphic rabbits, and yet repellently uncanny. As Altmejd states, “A perfect object for me is something that is extremely seductive and extremely repulsive at the same time.”