In this series of ceramic sculptures, artist Jessica Harrison undermines and perverts the kitschy sentimentality of porcelain figurines by “breaking” them, casting a macabre twist on the familiar decorative art form. 19th-century ladies with vacantly blithe expressions hold their own severed, gory-edged head in their lap, gaily dangle their bloody eyeballs above them, and with fleshless, skeletal face recline daintily on a chaise longue. I would love to have these doll-sculptures in my home, they are such clever miniature subversions of prim and happy porcelain figurines, having a dimension of interest that the traditional harmlessly sweet figurines never possess.
