Literature – Necromantic

b

“Little soul lost, little shining ghost” by William Archila

Little soul lost, little shining ghost, prepare yourself to descend
into the small chambers that flicker like fireflies. Prepare cattle
& rapid fire which should be the pallor, tenderness of patient flowers.

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b

Gacela of the Dark Death – Federico Garcia Lorca

I want to sleep the sleep of the apples,
I want to get far away from the busyness of the cemeteries.
I want to sleep the sleep of that child
who longed to cut his heart open far out at sea.

I don’t want them to tell me again how the corpse keeps all its blood,
how the decaying mouth goes on begging for water.
I’d rather not hear about the torture sessions the grass arranges for
nor about how the moon does all its work before dawn
with its snakelike nose.

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b

“First Dates” by Arseny Tarkovsky

Each moment of our dates, not many,
We celebrated as an Epiphany.
Alone in the whole world.
More daring and lighter
than a bird
Down the stairs, like a dizzy
apparition,
You came to take me on your road,
Through rain-soaked lilacs,
To your own possession,
To the looking glass world.

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b

Mayakovsky – Frank O’Hara

1
My heart’s aflutter!
I am standing in the bath tub
crying. Mother, mother
who am I? If he
will just come back once
and kiss me on the face
his coarse hair brush
my temple, it’s throbbing!

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b

Childhood

We enjoy the immense freedom of dreams, in which nobody believes, except as a joke, to share on coming down to breakfast.
….
Children are not expected to think, but are allowed to suffer, and rehearse the future… In at the windows floats the scent of hot, wet nettles and the long summer. The yellow dressing-table drawers are smelling of emptiness. We have not arranged our things, who will not be staying long in this house.

O childhood of moonlight [and] solid statues! How solid, I broke off an arm to prove, and the smell of the wound was the smell of gunpowder and frost. Often the footsteps were not mine that fell along the gravel paths…other voices would carry my song out of my control… All were turning gravely in the dance, only I was the prisoner of stone.
When I no longer expected, then I was rewarded by knowing: so it is. We do not meet but in distances, and dreams are the distance brought close. The glossy mornings are trampling horses. The rescue-rope turns to hair. Prayer is, indeed, stronger, but what is strong?
O childhood, O illusions, time does not break your chain of coloured handkerchiefs, nor fail to produce the ruffled dove….

–Patrick White, Voss

b

Anna Akhmatova

This land, although not my native land,
Will be remembered forever.
And the sea’s lightly iced,
Unsalty water.

The sand on the bottom is whiter than chalk,
The air is heady, like wine,
And the rosy body of the pines
Is naked in the sunset hour.

And the sunset itself on such waves of ether
That I just can’t comprehend
Whether it is the end of the day, the end of the world,
Or the mystery of mysteries in me again.

— Anna Akhmatova

b

An Excerpt from Bonedog by Eva H.D.

And the home-style silences and clouds
contribute to nothing
but the general malaise.
Clouds, such as they are,
are in fact suspect,
and made from a different material
than those you left behind.
You yourself were cut
from a different cloudy cloth,
returned,
remaindered,
ill-met by moonlight,
unhappy to be back,
slack in all the wrong spots,
seamy suit of clothes
dishrag-ratty, worn.

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b

Anatomica – Joanna Ebenstein

Anatomica: The Exquisite and Unsettling Art of Human Anatomy by brilliant Morbid Anatomy founder Joanna Ebenstein is now available for purchase. This is a beautiful 272-page volume exploring anatomical art across seven centuries, for those who are fascinated by bygone artistic conceptions of the human body. Joanna’s other books include Death: A Graveside Companion, The Anatomical Venus: Wax, God, Death & the Ecstatic, and The Morbid Anatomy Anthology, providing some of the most interesting, historically-oriented nonfiction fare that I’ve read. She has also coauthored Cabarets of Death: Death, Dance and Dining in Early Twentieth-Century Paris with Mel Gordon (Voluptuous Panic: The Erotic World of Weimar Berlin), which is due to release in December and which I am eagerly awaiting.

b

The Somnambule

{ I have put away the despairing flesh of childhood
Entombed my unnamed, availless years
Within driest flowers, cracked spines of books
And a stone with a soul of blood,
Sloughing off some fine plum-black cocoon
Or chrysanthemum bloom
And I had myself a waking dream
The dream felt white,
Like old bones
And hurt softly as rain. }

b

“They will not exhaust it, for its matter is inexhaustible.”

{She sailed beneath a sky of lilacs, each cluster of which was heavier and more charged with anguish than the word “blood” at the top of a page.}

{Where do the angels’ progeny now meet?….I turn to my youth; I fall asleep in it. I try to revive it by kissed lepers, canonized guts, flowers condemned mirthlessly by notorious councils, in short an entire legend which is called Golden, the even more overwhelming miracles with which [we] teemed…}

{It is not to be wondered at that the most wretched of human lives is related in words that are too beautiful.}

—Jean Genet, The Miracle of the Rose