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Puparia

Puparia is a wonderful and enigmatic animated short film directed by Shingo Tamagawa. With a delicate, vibrant, and fluid art style, Puparia depicts a series of human “witnesses” to mysterious creatures or beings whose beautifully fantastical nature is truly dreamlike. At under three minutes long, it gives a compelling glimpse into a world and mythology which would be incredible to see fleshed out in a feature-length production. It is highly opaque and non-disclosive, but the term puparium means the “hardened last larval skin which encloses the pupa in some insects,” perhaps hinting at the transformation of human beings into different life forms. The white-haired girl who is gazed at by the crowd seems to suggest this coming metamorphosis as the hallucinatory colored patterns on her skin evoke the patterns seen in the creatures and strange world around her.

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The Transmundane Jewelry of Arcana Obscura

Kate Hockstein of Arcana Obscura creates jewelry designs inspired by historical and occult themes, ranging from Georgian and Victorian mourning jewelry, alchemy, Egyptian symbolism, to vanitas art, medieval weaponry, and splendors of the animal world. Using the lost-wax casting method, she represents flowers, serpents, flails, sinister left hands, life-sized sculptures of tiny fishes, mortuary designs such as the winged skull that was favored by 17th-century Puritan gravestone carvers, and the inverted torch which is found in 19th-century cemeteries. I love her penchant for Latin mottoes, and her pieces, which have a fascinating story behind each inspiration, bring to life fragments of the annals of arcane history.

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Eiko Ishioka

Eiko Ishioka was a visionary and absolutely unique art director and costume designer who died nine years ago, on January 21, 2012. Her work on Tarsem Singh’s films, including The Cell and The Fall, is a large part of why they are so visually memorable. Her operatic, magisterial costumes have an otherworldly quality, fusing Eastern and Western influences, and at the same time seeming to have no referents to existing sartorial styles – sui generis creations that are utterly fantastical. Lush, innovative, and outlandishly dramatic, her surreal designs linger in the memory with all the force of the truly original.

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New England Nightmares by Bill Crisafi

Bill Crisafi creates delicately eerie pen-and-ink drawings which are “heavily influenced by the dark nostalgia of his home state of Massachusetts.” A macabre quasi-Victorian aesthetic, both spooky and ethereal, depicts themes of paganism, occultism, and folklore. Towering black-haired female figures, spindle-boned witches, stalk across a grim landscape of colonial architecture, decaying ancient farmhouses such as Lovecraft would have dreamt of, and New England forests.

Baba Yaga, Gryla, triumvirates of Fate-like women, bats, satanic goats, mythical chimerical creatures, and demonic bacchanals form the subject matter of Crisafi’s spidery illustrations. The wispy long masses of dark hair of some of these beings are beautiful and reminiscent of the terrifyingly tragic women of Poe’s stories. Cloisonné pins and lovely tapestries are available in his online shop. I also love the plates which he has designed in collaboration with Miss Havisham’s Curiosities.

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L’Apothicaire Candles

These wonderful candles from the Noir Collection by L’Apothicaire Co. are now available in their online shop or at RitualCravt. I am especially intrigued by such scent profiles as: Forbidden (crisp apple • cassis • lichen • forest greens), Fortune + Fate (black amber • wild elderberry • tea leaves • incense), and Graveyard Roses (freshly turned soil • deep woods • garden roses • damp earth).

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Dehn Sora

Multidisciplinary artist and graphic designer Dehn Sora, also known as Vincent Petitjean, produces the most darkly beautiful and alluringly disturbing work. The exquisite textures are haunting, lyrical, and partake of the ashy fineness of a Shade’s dreams in the Underworld.

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Anatomica – Joanna Ebenstein

Anatomica: The Exquisite and Unsettling Art of Human Anatomy by brilliant Morbid Anatomy founder Joanna Ebenstein is now available for purchase. This is a beautiful 272-page volume exploring anatomical art across seven centuries, for those who are fascinated by bygone artistic conceptions of the human body. Joanna’s other books include Death: A Graveside Companion, The Anatomical Venus: Wax, God, Death & the Ecstatic, and The Morbid Anatomy Anthology, providing some of the most interesting, historically-oriented nonfiction fare that I’ve read. She has also coauthored Cabarets of Death: Death, Dance and Dining in Early Twentieth-Century Paris with Mel Gordon (Voluptuous Panic: The Erotic World of Weimar Berlin), which is due to release in December and which I am eagerly awaiting.

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Moonflesh: Embroideries by Lyla Mori

These gorgeous embroidered artworks by Lyla Mori of Moonflesh, “conjurer of thread-veined creatures…creatrix of embroideries with crystals/gemstones,” are intriguing, charming, and eerily creative. I love the rich colors, the antique atmosphere, the three-dimensional element of the beadwork as in the seeds of the pomegranate. While managing to impart a gossamer, lunar, and ethereal quality to the beautiful moths, Lyla also gives a quaint gothic drollness to many of her pieces.

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Valerie and Her Week of Wonders

Valerie and Her Week of Wonders is one of the most enchanting movies I’ve ever seen, and remains a classic favorite many years after I first came across it. Directed by Jaromil Jireš, Valerie is a 1970 cinematic gem, and is considered part of the Czech New Wave. It has been described as a surrealist horror film, which beguiles us as much as the titular character Valerie is beguiled by the many strange beings she encounters throughout her story. Jaroslava Schallerová plays a thirteen-year-old girl, Valerie, who lives in a small bucolic village with her pious grandmother (portrayed by the haunting Helena Anýžová), and after experiencing her first menstruation is launched on a strange stream of events involving magical pearl earrings, flowers, doves, nuns, priests, incestuous lovers, and a vampiric being known as the Polecat. Whimsical, nonlinear, and charmingly illogical, it is impossible to place one’s finger on what it’s about exactly. It merely resembles a fantastical dream, where everything, every object and piece of set design, is filtered through the nostalgic splendid beauty of the era. It is replete with uncanniness and absurdity at once. A fairy tale, a lullaby-like fever dream, a transgressive narrative subverting Christianity…every scene contains a memorable and striking image which is richly symbolic and nearly iconic in itself.

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