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Cement Factory Turned Residential Home

Architect Ricardo Bofill bought an old, abandoned cement factory in Barcelona, Spain in 1973, and transformed it into a dream home that looks like a sort of enchanted, ivy-covered industrial fairytale castle from the outside, and inside is a contrasting modern spectacle of heavenly spaces. The mix of old and new is fascinating, as the structure and elements of the original factory are clearly present, integrated into a luxe, contemporary style, and it is also evocative of a cathedral and gives off a sense of antiquity.

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GETOUTOFYOURSKIN by Caterina Ciuffoletti

This fashion collection is a result of designer Caterina Ciuffoletti’s experimentation with the Nietzschean concept of the “Dionysian spirit,” which embodies man as he really is (man’s nature), vs. the “Apollonian spirit,” which is the idea of the social being (man’s ideal).

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Sara Suppan’s “Human Anatomical Manikin”

“…my work gravitates in imagery from antiquated medical practices, historic anatomical illustration, and the pathological grotesque. Many of my pieces feature a fusion of botanical and anatomical forms, or structures from the human anatomy acting as an environment in which to house another subject. Roses, or even planetary systems, will be imbedded in muscle tissue; entire figures trapped inside boney caves, or ribbons of cow carcass.”
— Sara Suppan

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Sarah Allen Eagen

Sarah Eagen is a New York-based sculpture, installation, and mixed media artist as well as photographer and painter. She is “inspired by bio-art, body architecture, and biological surrealism”; she focuses on evoking a visceral response in the viewer and explores the tensions between comfort and discomfort, the beautiful and the grotesque, and the dissolved borders between these seeming contradictions, where “something is at once seductive and repulsive.”

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