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The Self-Portraiture of Jessica Woods

“i like to shoot around the places where i grew up. i want to capture certain emotions, if it feels like heavy fog in autumn, the woods at night where creatures and ghosts hide in trees and in holes in the ground, like a place i knew as a child, a dream or a memory, a visual or auditory distortion caused by fear or love or sleeplessness, an abandoned house where the memories of previous owners still haunt the walls, like shivering when you’re outside and it’s cold but you’re holding hands with the person you love, if it feels like something lurking in the shadows, a dimly lit street in my hometown, the forest after it rains.”
— Jessica Woods

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Miso’s Cornucopia

{ Cornucopia began life as a meditation on 16th-century Flemish still life paintings, but evolved into something more descriptively elusive. The relatively small, but lavishly illuminated oil paintings that comprise the exhibition feature botanical wonders alongside the dissected anatomical figures that populate Karen Hsiao’s fantasy Miso world.

The titular cornucopia relates to Hsiao’s vast collection of specimens, both flora and fauna, that continue the tradition of scientific classification paintings spanning Audubon to Walton Ford – but reflecting a modern context of fetishistic connoisseurship. }

— La Luz de Jesus

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Anouk Wipprecht’s “Spider Dress”

Having previously posted about the “Spider Dress” prototype, I was delighted by the unveiling of the finished design last week. Pearl-colored, reminiscent of Iris van Herpen‘s 3D-printed couture creations, this gorgeous dress by Dutch designer Anouk Wipprecht is a marvel of fashiontech (the intersection of fashion and technology). The animatronic garment is inspired by animal behavior, using motion and respiration sensors to respond to the approach of others – “The dress measures the wearer’s stress levels with wireless biosignals, and aggregates this information with measurements of others’ proximity and speed of approach (it can detect movement up to 22 feet away). The dress changes according to these various data inputs, gauging how the wearer is feeling about the people around her.”