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Needle Art by Rima Day

Rima Day is a fabric artist with a background in fashion and costuming. Her Hidden Desires series is a fascinating and exquisite project featuring delicate red threadwork on gossamer white corsets and gloves – accoutrements of a historic past which suppressed feminine passions. The bright threads resemble blood vessels exposed across the diaphanousness of the material; the violence and visceral nature of this visual impression contrasting against the purity suggested by the sheer whiteness of the garments. The ragged red hem of a pair of gloves vividly, almost shockingly visions forth torn veins or nerves. Beautiful and evocative, as well as slightly disturbing, these anatomical/sartorial pieces are carefully constructed productions of an accomplished seamstress exploring concepts through embroidery and textiles.

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The Drowning Woman: Surreal Photography by Kalliope Amorphous

The soft, dreamy experimental photography of Kalliope Amorphous, often featuring self-portraits, is a visual poetics, sometimes black-and-white, sometimes saturated with beautiful, nostalgic color. Techniques of distortion, doubling, mirroring, blurring, and multiple exposure are taken to the extreme, but come together to produce wonderful and arresting images that explore themes of identity, mythology, consciousness, and memory. The loveliness juxtaposes against the alienation expressed through them, such that the subjects are sometimes barely recognizable as human. Fragmented, unfocused, ethereal, fragile, as these murky portraits are, they are also spiritually radiant. Ophelia drowning in her watery bed, twins, and witches are some of the archetypes rendered tangible-but-dreamlike in Kalliope’s unique way. Ominous, tender, suffused with mystery, these images are a perfect fusion of melancholy beauty and striking experimentalism. They are so evocative, strange, hazy, and brilliant.

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Vile Creatures: The Art of Lindsey Carr

Lindsey Carr is an artist/illustrator based in Glasgow whose creations I find delightful. Having admired her work for many years, I love the direction that she’s taken in recent years – richer, more substantial, with bold yet translucent color. The antique, luscious, yet delicate qualities of her paintings filled with flowers, animals, and mythical beings lure the eye and enchant and refresh. Taking inspiration from Rococo art, still lifes of the Old Masters, and the naturalist illustrations of Ernst Haeckel, the gloss and glimmer of Carr’s painted world is refined as well as vibrant. Her charming, surreal, historically influenced style is eminently suited for depictions of chimerical figures such as Alkonost.

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Sempertarium

The dramatic and beautifully vivid jewelry of Saint Petersburg-based Sempertarium (by Olya Starvina) features Biblically accurate angels, bats, swords, and Victorian hands. Gothic cathedral arches are set in gemstones like glass, creating a brilliant, unique, and gorgeous effect. With their air of ecclesiastical splendor, Starvina’s jewels are both elegant and saturnine.

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Sarah Jarrett

Sarah Jarrett’s gently intriguing, melancholy collages combine strong color, imagery from the 19th and early 20th centuries, and a fabulous sense of surrealism. She is highly prolific, with a profusion of emotive collage works. Transposition, juxtaposition, silhouettes, and flowers all play a large role in her work. Lovely and mysterious and musing, the many layers and textures of her ethereal world draw the viewer in to its sense of tragic intimacy.

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Bea Bastet

The artwork of Beatriz Bradaschii contains a sweet surrealism. Flowers, insects, human teeth, and eyes all recur as symbols in a rich, gently melancholy world evocative of lore, both whimsical and macabre. Her Victorian-inspired, Wonderland-esque aesthetics, the imagery of a severed head, lacerated heart, exposed rib cage, carnivorous flowers, or pox-ridden countenances of haunting beauty, are rendered in a precious style, and speak of emblems of particularly feminine horror, as well as the terrors of childhood. Her highly imaginative, cunningly layered sculptures are also incredible – including Memento Mori Mushroom, which features a detachable face revealing a skull hidden behind it. I have one of her lovely clay pins, hand-painted in acrylic and gouache.

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Age of the Succubus: Nona Limmen

I love the hazy, dreamily melancholy photography of Nona Limmen. The poetic vintage graininess, the doubling/multiplying and blurry transposition of imagery, shadowy and ethereal atmosphere, and ritualistic poses all create a soft world of arcane magic, the sphere of an almost nostalgic occultism: a folkloric vision that looks as if it has been translated through the lens of classic and beloved cinema.

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Clockwork Angels: The Art of Masaaki Sasamoto

The glowing paintings of Masaaki Sasamoto are drenched with gold and a mellow, old-world radiance. Butterflies, fairies and other mythical beings, girl-automatons with exposed machinery, flowers, winged seraphic figures, are common motifs in his work. The mildly serene and rather enigmatically inexpressive smiles of his subjects seem to emanate a nature half-deity, half-doll. Sasamoto combines traditional Japanese techniques with modern aesthetics in a unique, luminous, memorable style that evokes antiquity, a fantastical air, an atmosphere slightly surreal and wondrously airy yet rich.

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